Review - Kaadhal Endral Ennna
Starring: Vishwa, Diya, Charanraj, Manicka vinayagam, Charanraj and others
Banner: Akshaya pictures
Producer: M.Rajan
Direction: Kalimuthu
Music: Bharathi
Director Kalimuthu would have won the laurels if he had a better producer for a different script. Yeah! Don’t imagine the film to be so best of its type, but auteur brings out his innovativeness in a script that carries off with actualizations of few concepts. A bold theme indeed would have been pulled out by Director from the themes of avant-garde filmmakers of the globe. A love blossoming between youngsters and elders showcasing their obstruction is something that we have already seen in most of the Tamil films. But the characterizations redefine the same concept in a different dimension. A guy falling in love with her neighbor who happens to be the daughter of a cop and it’s a great shock for him when he things are brought out into light that she isn’t cop’s daughter but his wife. That strikes different and you can watch the flick for this sake.
The story of Kadhal Endral Enna is about Veera (Vishwa) who falls in love with Kamala (Diya), her neighbor. Love at first sight and then followed by shocking fact that she Kamala is not the daughter of a police officer Adhisaya Raj (Charan Raj), but his wife. Though she is spotted in elated moods all the time, there is something dark prevailing in her dark hidden life. With an attempt to get her out of troubling traps, Veera invites Kamala for a chat where her terrible past is revealed. Now starts the extra-marital kind of love between these nippers and not for a long time they can sustain it for Adhisayaraj interrupts in the mid and starts troubling them both. Does Veera bring out of her pains and provide her relief forms crux of the story.
As mentioned earlier, it’s a great and different attempt from Director Kalimuthu for approaching with a different attempt. But, in few aspects he reveals of cheapish dimension by getting glamour as the central theme. Well, instead of portraying her as a woman hung up in anguish darkness, he is well exposed the body of Diya. But that doesn’t create sympathy for the character, but a sudden rise in adrenaline for youngsters who want have more and more skin shows from her.
Hats off to debutant Veera for he has done his best and he is sure to have great future in tinsel town. Technical aspects aren’t much appealing and Director should have concentrated more on this factors.
Our simple request to Director Kalimuthu is that you made a great attempt, but lost the track with perplexity between emotional quotient and glamour. Sir, gone are those days when certain group of audiences used to watch movie looking at glamorous posters of heroines and today they are more aware and dominant in critically analyzing the movie. So, if you had made this film avoiding glamour then you are done with the successful directorial. But you failed to do so and please be aware of it for the next time.
Bottom - Line: Good, bad and the ugly
Verdict: Unwanted elements spoil the bold theme
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