Review - Silandhi
Starring: Munna, Monica, Chandru, Riyaz Khan, Nellai Siva, and many Others
Banner: G Company
Production: P. Shankar
Direction: Aadhiraj
Music: Neil Mukherji
With IT company blooming up, there you have both plus and negative traits. You earn lots of money, enjoy your lives and perhaps most of the times cross the limits. Intuitively, women are the most who break the bounds of culture and choose a wrong path. Journalist turned Director Aadhiraj marks his debut with a flick that carries good message blended with spine-chilling screenplay.
Not much in the first half, you will have nail biting sequences and it’s a cliché of scenes centering on young couples played by Munna and Monika. Yeah! A girl who has been concomitantly glued with homely characters breaks out with glamorous role.
Frankly speaking about Silandhi, there is nothing much you can speak about it. So we will get you the synopsis and brief analysis…
The film is about young couples (Munna and Monika) heading for honeymoon and you have Director Aadhiraj adding some erotic stuffs. Sooner, the mystifying sequence hits the screens where strange things start. Munna on the husband role tries to get hold of what had actually happened in the Monika’s past after getting to know that she is in absolute danger.
Taking along the flash back, Monika along with her friends are employers of IT company , where earning lots of money, they are involved with lots of bad habits drinking, drugs. Often, they go for dates and its something naturally depicted of majority of woman in IT industry.
At a point of time, with group of friends they rag a LIC policy agent (Chandru) and when crossed the limits, he dies of a severe head injury. But followed by this, one by one among the group are murdered and Monika is the final one to be polished off. Is the same person still alive and taking revenge or someone else is getting done with task of seeking vengeance? Does Monika get freed out of danger’s clutches forms crux of the story. Rootling along with the thrilling screenplay is the technical aspects.
Technicians especially, Fowzia’s cinematography and Sathish Kurasowa’s editing are splendid on eyes. But techinically the movie is been made in Digital format which makes the worse on screen. The scenes involving chasing sequences and horrifying stuffs have been canned fantabulously. Background score by Neil Mukherji in addition to this adds more to the feel. Dialogues carrying social messages have been precisely penned.
Valuating the film on whole, Aadhi kicks with a moderate start and technical aspects should have been given more importance and also with screenplay in first half. If these attributes were carefully crafted, then Silandhi would be more and far better than what it is now.
Bottom - Line: Message with difference
Verdict: Not more appealing… Ok
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